Only at the evening affair, when Andy Taylor and John Taylor appeared onstage-and screams from the dozens of teen-age girls who bought premiere tickets drowned her out-did Feinstein appear nonplussed. one of the great stars of motion pictures today, Roger Moore! “ and “Ladies and gentlemen. On the City Hall steps, seeming like a cross between a politician and a game-show host, Feinstein proclaimed Wednesday “James Bond Day” then belted out introductions like, “. In fact, Feinstein now counts Moore and his wife, Luisa, among her personal friends. The object of all this praise seemed perfectly at ease mingling with film stars Tanya Roberts, Christopher Walken, Patrick Macnee and Roger Moore, now making his seventh appearance as Bond. We came back here because they were cooperative, and we promised to give them an opening that would help raise funds for the mayor’s favorite charity.” It all capped several weeks of nonstop references to “A View to a Kill” on radio stations KMEL, KITS, KWOD in Sacramento and KKOY in Stockton, all of which ran promotional contests.īut Broccoli, who has produced all 14 of the Bond films in the UA series confirmed that “we didn’t hold the premiere here because we thought it would help us promotion-wise. (The funds will benefit the Mayor’s Youth Fund and, specifically, two new child care centers in the Tenderloin district.) In best Bond style, Worth, in a perfectly pressed tuxedo, recovered instantly from the spill and hand-delivered Feinstein a check for $100, 007, advance proceeds from the $150-a-head premiere. The next day, a striking photo of Grace Jones as the film’s villainess dominated the front page accompanied by the headline “If views could kill.”Įntertainment news crews from as far away as Philadelphia’s KYW-TV lined the front of City Hall Wednesday as Worth dove out of a helicopter, parachuted into a crowd of onlookers and slid under a guard railing. Worth, a 33-year-old sky diver from Whitefish, Mont., dove off the Eiffel Tower for one of “View’s” more spectacular stunts. The San Francisco Examiner published an article detailing how B. ![]() The San Francisco Chronicle ran its account of the premiere on its front page under the headline “Rockers Outdraw 007,” a reference to the deafening response to John Taylor and Andy Taylor (no relation) of Duran Duran, which performs the theme song. San Franciscans would find it hard to believe that coverage of “A View to a Kill” could possibly be greater. ![]() “We would not have come to San Francisco except for Mayor Feinstein.” Preferably, Rothman said, “you want to open your film in a big city”-like London, Los Angeles or New York-for maximum press coverage. “I don’t think anybody could have been as helpful as this mayor,” MGM/UA Chairman Rothman said Wednesday night at the Palace of Fine Arts, a stroll away from the famed Golden Gate. The city also petitioned the directors of the Golden Gate Bridge to reroute traffic for filming there, said Robin Eickman, who works directly out of the mayor’s office as the city’s first full-time motion picture coordinator. The city’s role included facilitating cooperation between the Fire Department and the film’s special effects crew, which fitted gas jets and asbestos shielding to the balcony of City Hall and retrofitted a fire engine for stuntwork.
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